
Services
What we do, and what it covers
Pick what fits your project. A few questions later we send a written quotation — scope, deliverables, timeline and terms.
Start with what you need
Each of these opens a short walkthrough built for that kind of work. A studio booking is not asked about surround stems; a restoration job is not asked about media rights. You will not be shown a price list — every project is quoted on its own scope.
Film & Television Post
Dialogue, Foley, sound design, music conform, and broadcast-ready mixes.
- ·Dialogue editorial and restoration
- ·Foley and sound effects
- ·Music conform and supervision
- ·Stereo and 5.1 mixing
- ·M&E, stems and broadcaster delivery
Original Music & Scoring
Themes, motifs, underscore and full scores with African or hybrid arrangements.
- ·Main themes and motifs
- ·Underscore synced to picture
- ·African and hybrid arrangements
- ·Short-film and feature scores
- ·Session musician coordination
Commercial & Brand Audio
Campaign spots, cut-downs, corporate audio, and radio imaging.
- ·30–60 second campaign spots
- ·Cut-downs and alternate lengths
- ·Voice-over recording and direction
- ·Corporate and explainer audio
- ·Radio IDs, sweepers and promos
Sonic Branding
Audio logos, mnemonics, brand beds, stings and full sonic identity systems.
- ·Audio logos and mnemonics
- ·Brand beds and sonic textures
- ·Stings, transitions and bumpers
- ·Adaptation stems
- ·Sonic usage guidelines
Podcasts
Multi-track editing, cleanup, branded sound, mastering and clips.
- ·Multi-track editing and cleanup
- ·Loudness-normalised mastering
- ·Branded intros, outros and beds
- ·Short clips and trailers
- ·Monthly production retainers
Voice-Over, Talent & Casting
Studio and remote sessions, directed performance, casting and language supervision.
- ·Studio and remote VO sessions
- ·Directed corporate and commercial reads
- ·Casting and language supervision
- ·Clean masters and alternate versions
- ·Usage and buyout scoping
Restoration & Dialogue Rescue
Noise, hum, wind, rustle, clipping and archival damage on difficult recordings.
- ·Noise, hum and rustle removal
- ·Wind and handling repair
- ·De-clipping and artifact reduction
- ·Frame-by-frame spectral repair
- ·Archival tape restoration
Studio Booking
Treated control room and booth, with or without a resident engineer.
- ·Acoustically treated control room
- ·Voice-over and vocal booth
- ·Resident engineer or dry hire
- ·Half-day and full-day blocks
- ·Monthly studio access retainers
Field Recording & Sound Licensing
On-location multitrack capture, and licensed African soundscape assets.
- ·Multitrack location capture
- ·Panels, performances and interviews
- ·Cultural events and ceremonies
- ·African ambience and soundscapes
- ·Non-exclusive and campaign sync licences
Session Musicians & Ensembles
Traditional African soloists, percussion arrays, choirs and western session players.
- ·Adungu, akogo, endeere and endingidi
- ·Mbuutu, ngalabi and Ganda drums
- ·Traditional choirs and cultural ensembles
- ·Guitar, bass, keys and drums
- ·Booking, direction and file management
Mastering & Delivery Finishing
Stereo mastering, loudness normalisation and technical QC for release.
- ·Stereo mastering
- ·Loudness normalisation to platform targets
- ·Technical QC
- ·WAV and MP3 delivery
- ·Five- and ten-track bundles
Ongoing Retainer
Reserved monthly capacity for brands, agencies, podcasts and productions.
- ·Reserved monthly production capacity
- ·Priority scheduling
- ·Consistent engineering and brand sound
- ·White-label and confidential delivery
- ·Monthly usage and capacity reporting
Why we quote instead of publishing a price list
The same service can be two very different jobs. A clean forty-minute interview and a wind-battered location shoot of the same length are not the same work, and pricing them the same would mean overcharging one of them. What moves a figure is runtime, the state of the source material, track count, creative complexity, deadline, how many delivery versions you need, revision rounds, travel, third-party talent, licensing and usage rights.
So we ask first and quote second. You get a written quotation with the scope, deliverables, timeline and terms set out before anyone commits — normally within one business day.
Looking for something specific?
Each of these has its own page with the full detail, and its own route into the quote.