Mulika Studios Ltd logoMulika Studios

Services

What we do, and what it covers

Pick what fits your project. A few questions later we send a written quotation — scope, deliverables, timeline and terms.

Start with what you need

Each of these opens a short walkthrough built for that kind of work. A studio booking is not asked about surround stems; a restoration job is not asked about media rights. You will not be shown a price list — every project is quoted on its own scope.

I

Film & Television Post

Dialogue, Foley, sound design, music conform, and broadcast-ready mixes.

  • ·Dialogue editorial and restoration
  • ·Foley and sound effects
  • ·Music conform and supervision
  • ·Stereo and 5.1 mixing
  • ·M&E, stems and broadcaster delivery
Get a quote
II

Original Music & Scoring

Themes, motifs, underscore and full scores with African or hybrid arrangements.

  • ·Main themes and motifs
  • ·Underscore synced to picture
  • ·African and hybrid arrangements
  • ·Short-film and feature scores
  • ·Session musician coordination
Get a quote
III

Commercial & Brand Audio

Campaign spots, cut-downs, corporate audio, and radio imaging.

  • ·30–60 second campaign spots
  • ·Cut-downs and alternate lengths
  • ·Voice-over recording and direction
  • ·Corporate and explainer audio
  • ·Radio IDs, sweepers and promos
Get a quote
IV

Sonic Branding

Audio logos, mnemonics, brand beds, stings and full sonic identity systems.

  • ·Audio logos and mnemonics
  • ·Brand beds and sonic textures
  • ·Stings, transitions and bumpers
  • ·Adaptation stems
  • ·Sonic usage guidelines
Get a quote
V

Podcasts

Multi-track editing, cleanup, branded sound, mastering and clips.

  • ·Multi-track editing and cleanup
  • ·Loudness-normalised mastering
  • ·Branded intros, outros and beds
  • ·Short clips and trailers
  • ·Monthly production retainers
Get a quote
VI

Voice-Over, Talent & Casting

Studio and remote sessions, directed performance, casting and language supervision.

  • ·Studio and remote VO sessions
  • ·Directed corporate and commercial reads
  • ·Casting and language supervision
  • ·Clean masters and alternate versions
  • ·Usage and buyout scoping
Get a quote
VII

Restoration & Dialogue Rescue

Noise, hum, wind, rustle, clipping and archival damage on difficult recordings.

  • ·Noise, hum and rustle removal
  • ·Wind and handling repair
  • ·De-clipping and artifact reduction
  • ·Frame-by-frame spectral repair
  • ·Archival tape restoration
Get a quote
VIII

Studio Booking

Treated control room and booth, with or without a resident engineer.

  • ·Acoustically treated control room
  • ·Voice-over and vocal booth
  • ·Resident engineer or dry hire
  • ·Half-day and full-day blocks
  • ·Monthly studio access retainers
Get a quote
IX

Field Recording & Sound Licensing

On-location multitrack capture, and licensed African soundscape assets.

  • ·Multitrack location capture
  • ·Panels, performances and interviews
  • ·Cultural events and ceremonies
  • ·African ambience and soundscapes
  • ·Non-exclusive and campaign sync licences
Get a quote
X

Session Musicians & Ensembles

Traditional African soloists, percussion arrays, choirs and western session players.

  • ·Adungu, akogo, endeere and endingidi
  • ·Mbuutu, ngalabi and Ganda drums
  • ·Traditional choirs and cultural ensembles
  • ·Guitar, bass, keys and drums
  • ·Booking, direction and file management
Get a quote
XI

Mastering & Delivery Finishing

Stereo mastering, loudness normalisation and technical QC for release.

  • ·Stereo mastering
  • ·Loudness normalisation to platform targets
  • ·Technical QC
  • ·WAV and MP3 delivery
  • ·Five- and ten-track bundles
Get a quote
XII

Ongoing Retainer

Reserved monthly capacity for brands, agencies, podcasts and productions.

  • ·Reserved monthly production capacity
  • ·Priority scheduling
  • ·Consistent engineering and brand sound
  • ·White-label and confidential delivery
  • ·Monthly usage and capacity reporting
Get a quote

Why we quote instead of publishing a price list

The same service can be two very different jobs. A clean forty-minute interview and a wind-battered location shoot of the same length are not the same work, and pricing them the same would mean overcharging one of them. What moves a figure is runtime, the state of the source material, track count, creative complexity, deadline, how many delivery versions you need, revision rounds, travel, third-party talent, licensing and usage rights.

So we ask first and quote second. You get a written quotation with the scope, deliverables, timeline and terms set out before anyone commits — normally within one business day.